Tom Hastings is an Associate Lecturer in Critical Studies at the London Contemporary Dance School. He passed his PhD in Art History, “Defining the Body-Object of Minimalism: Yvonne Rainer and the 1960s”, earlier this year at the University of Leeds. His first monograph, Johnnie Cooper: Sunset Strip, came out in 2018 with Black Dog Press, and a journal article, “Robert Morris between Art Criticism and Object Making” is pending review at the American Art Journal. Tom writes regularly for publications, including Burlington Contemporary, Studio International and Texte zur Kunst, and is at work on a co-edited volume of essays, provisionally titled Speak, Body: Art, the Reproduction of Capital and the Reproduction of Life.